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Opening with a musical sequence that pulls you in by a commanding overture against a black void. Suddenly it drops into an intense surgical procedure, setting the tone with gravitas and intensity within the genre of drama.

It is a bit mysterious as it chooses every spoken word in the dialogue, every camera angle, in order to control what the director wants you to see or know. There’s a palpable pulse of tension, biting of the tongue and reluctancy to open up between the characters.

Perhaps the title will give the viewer a clue, you may wonder. This is the way of many A24™ production films, and the draw is its esoteric style and bizarre approach to storytelling. You may find yourself scouring the backdrops, lighting or choice of phrases to unveil some underlying meaning, but, to no avail. This will take both time and patience. Wait. See it through.

Why speak so awkwardly? Why have such oddly unbalanced transitions between each weird random thought or question? Seems to be done on purpose and with precision in order to make the audience mildly uncomfortable moment to moment.

Then, there are these standalone artfully filmed scenes that could easily become a stunning still shot. This is the essence of the photographer’s eye within the videographer’s point of view. When you can admire something happening before you in real time and ache to freeze it, just to marvel at its genuine beauty long after its gone.

Suddenly, there’s a crack, a fissure that shows the fragility of something you thought would never happen. Classic A24™ style. Hearkens the eccentricity of Eraserhead, although not as extremely cringeworthy (debatable in a scene or two). You’ll know, because the urge to replay that breaking point, a few times to clarify the horrifyingly shocking event that transpires. You will shudder in disbelief and possibly audibly inquire with profanity.

But wait, there’s more, there always is. And it gets weirder. Check the running time? It’s not even near the end. What seemed to move so slowly is now throwing everything at you, all at once, to process. Pay attention.

Unraveling, it all begins to fall apart in a way you thought was not possible, is now in effect. Questioning reality or why it is so cruel and merciless won’t stop it either. It’s too late. In addition, the cold color palette, distance between you and everyone involved, and their dark dispositions, won’t comfort you either. For me, it pushes me to plead for more logic and reason to apply to my many swirling ideas.

At some points, I feel the claustrophobia and emotional disconnect, like that of Being John Malkovich, or the otherworldliness of Kafka’s Metamorphosis, but this wacky tale is a whole different animal. I’m continuing to deeply analyze it because it’s so thought provoking.

The culminating crescendo climbs into a quick bit of deeply disturbing chaos. There is no denouement, there is no vindication, no sense of solace, save for a passing confirmation (watch closely) of something you’d want to know. Roll title and credits.

the KILLING is a SACRED DEER is most certainly not for everyone. Know this when you see A24™ as the production studio, however, if you want a taste of something truly unique, mildly traumatizing and a mini roller coaster of crazy, jump in and enjoy the ride. I know I did.

Rating: 7.2/10

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Ironically, this would not be considered the greatest film nor one made on the highest budget. However, it was mysteriously captivating. The Platform is almost as simple in its plot as it is in the title. Audiences who enjoy oddball tales from the SciFi channel and can withstand some gore will be entertained.

Countless prisoners are kept in this monolithic cemented cells. The only time anyone can change the four walls around them, is by the platform that moves via a pulley systems which delivers a massive array of food. As the platform moves vertically from room to room, no inmate can tell how many floors there are or how to escape. 

Although this is very much akin to the tone and storyline of Cube; The Platform is unique in its delivery through its turbulent twists and turns.

In order to provide a review without spoilers, I cannot include anymore details. Suffice to say that, if you want a surreal (nearly sardonic) experience of feeling trapped, I definitely recommend this movie. Be brave and attempt to cheer on our resilient and eclectic collection of characters on their mind-bending journey!

Find a day when you wish to explore something very atypical from your mainstream blockbuster films and you will not be disappointed. 

The Platform is gritty, it is unforgiving, it forces you to face its brutal reality. And well, if you’re an introspective person who is also open minded, I say, give it a go!

Rating: 7/10

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While the premise of this show is based on a great deal of jargon about hacking and coding, Mr. Robot is so much more beneath the surface of binary, html or otherwise. Fantastic acting is presented by the entire cast with countless masterful performances that pull you out from where you are and into this wild new world.

Perhaps it may seem to be an unlikely plot line to walk in the shoes of genius computer geek, but, Elliot Alderson is an onion of many layers. Over the course of years to cover the ground of his past and events that shape Elliot’s present, I can say with honesty, that I was engaged through every moment, big and small, joyful and heart wrenching, and everything in between.

Reminiscent of when I once graced the ground of the buzzing streets of Manhattan, I felt sentimentally enthralled at the locations where many episodes were filmed. And thus, the electric pulse of anxiety, excitement and fast paced life that is New York sets the tone. As a viewer, you feel the isolation in a sea of so many people and the dichotomy of: lonely versus alone. 

Who is Mr. Robot? Even if you think you figured it out, chances are, the final reveal will drop your jaw when you reach the series finale. Many times Sam Esmail as a creator has you guessing and questioning reality. Most significantly, your heart and mind will be conflicted once you see why some of the antagonist characters elicit sympathy and empathy for their cause, despite their heinous actions and choices.

Stay on. Keep watching.

What I can tell you is there may be an episode here or there that does not measure up in impact to some of the others that shine in artistic greatness, nevertheless, it will not disappoint. I was at the edge of my seat so many times, and in the end, I was in tears that I was unaware I had been holding back. When you see the montage that cascades all around you in those moments, everything will crash in waves and come full circle.

Be Elliot’s hero, follow him in his story and be welcomed by his greeting to you: 

“Hello, Friend”.

Rating: 10/10

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Marrying myself to the concept of this film being a physical manifestation of how the world was created through the lens of Christianity, it is easy to see how it can impact the viewer. Regardless of anyone’s theological beliefs, almost anyone that walks this earth knows the origin story as told in the bible. Having the characters represent both human and non-human entities brings more relatability and emotional effect to the events that are illustrated here. This is very much like the reverse characterization in anthropomorphic tales made for children with the same result: creating compassion and understanding of larger ideas.

Mother! shows us that we as people, if we are to adopt this story as fact, do not fully embrace or respect what a higher power has done to build the very world we live in. An omnipotent spirit, powerful above all beings, only seeks love and will continue to do so no matter how kind or cruel their followers may be or become. Earth as it is beneath our feet is so much the same in what it provides all of humanity despite how much of it is torn down and destroyed. If the relationship between god and nature was between a man and a woman, this cyclical storyline is definitely poignantly portrayed by Lawrence (Mother) and Bardem (him).

It would be an arduous undertaking to write this review without shaping it around what the plot is actually about through spoilers and hints. Furthermore, my only unanswered quandary is: what was that unearthly animal in the toilet or the purpose of the underground labyrinthian passage?

Nevertheless, this film may not be a “Wow!” or a favorite, for me, however, I can appreciate the artistry, original thought and level of intrigue that it incited within me. Not many films have made invest such a great deal of time, in deep thought, and of later pondering it through further analysis, there is something to be said about that.

Rating: 7/10

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Originally, the plan was to only review films, however, this tv series, has deeply affected me on a very intense personal level. It will be with a great deal of resistance and profound internal strength that I will not share spoilers and ruin the beauty and wonder that is the show “Fleabag”.  

Discovering this amazing actress Phoebe Waller-Bridge, has shown me that it is OK, to be imperfect, damaged, but also clever, confident, comical, and captivating. Breaking the fourth wall, her character reminds me of Woody Allen and his confessions, quips and contemplations spoken to the camera in Annie Hall. She struggles to open up, burdened by her blunders and poor choices but is also able to keep her head above water, find compassion and companionship from everyone around her.

Fleabag is her name; however, no one addresses her as such, yet, you almost fail to notice. Her family is disjointed, her past is a discordant portrait of both pain and passion, but she is still pushing forward seeking a way to be happy with her inner self. All of which, makes the viewer want to be her champion and watch her flourish.

What changed my life, was an enlightening and fantastic moment she experiences that reminded me of what it feels like to be truly alive. Without going into details so that anyone can watch this wonderful story unfold with fresh eyes, I can say that I suddenly felt excited about love. This was buried deep down, for so long, and now I know I can still feel it again. Phoebe brings that to anyone that goes on the journey alongside her. Perhaps my epiphany will not be the same or even happen for every audience, however, I know that you will feel something that changes you. She will make you laugh, connect with her suffering and understand what a great thing it is to accept the good with the bad and still love who you are.

It has been a very long time since I felt this strongly about a television series that moved me on this level. Take the time, the short episode running time and count will draw you in and keep you parked on the couch for the wild, witty and winding road that is Fleabag. Go ahead and start watching.

Rating: 10/10

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Marrying myself to the concept of this film being a physical manifestation of how the world was created through the lens of Christianity, it is easy to see how it can impact the viewer. Regardless of anyone’s theological beliefs, almost anyone that walks this earth knows the origin story as told in the bible. Having the characters represent both human and non-human entities brings more relatability and emotional effect to the events that are illustrated here. This is very much like the reverse characterization in anthropomorphic tales made for children with the same result: creating compassion and understanding of larger ideas.

Mother! shows us that we as people, if we are to adopt this story as fact, do not fully embrace or respect what a higher power has done to build the very world we live in. An omnipotent spirit, powerful above all beings, only seeks love and continue to do so no matter how kind or cruel their followers may be or become. Earth beneath our feet is so much the same in what it provides all of humanity despite how much of it is torn down and destroyed. If the relationship between god and nature was between a man and a woman, this cyclical storyline is definitely poignantly portrayed by Lawrence (Mother) and Bardem (him).

It would be an arduous undertaking to write this review without shaping it around what the plot is actually about through spoilers and hints. Furthermore, my only unanswered quandary is: what was that unearthly animal in the toilet or the purpose of the underground labyrinthian passage?

Nevertheless, this film may not be a “Wow!” or a favorite, for me, however, I can appreciate the artistry, original thought and level of intrigue that it incited within me. Not many films have made invest such a great deal of time, in deep thought, and of later pondering it through further analysis, there is something to be said about that.

Rating: 7/10

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It is so refreshing to see Adam Sandler showcase his fabulous talent as a drama actor which really shines outside of his comedic roles. Uncut Gems is fundamentally raw in its execution and pacing of the plot, and this illustrates the rapid pulse that is New York City.

Howard is not a good man, but he is also not the worst. This can create a wonderful internal conflict for the viewer when warring within the mind whether or not to root for him. He is a basket case of problems, all of which he brings upon himself from his addictive personality.

It is an act of futility to hope for an individual to find that moment of clarity to break free from their destructive cycle, instead of being easily swayed by what enables them to make the worst choices. We, as the audience, are powerlessly watching Howard as he fights (and often loses) his battle with karma and logic.

Kevin Garnett was fantastic, all with no prior thespian training of any kind. The dynamic between Adam and Kevin is a foundational element that breathes life (and chaos) into this story.

Uncut Gems is unforgiving and unlike most movies that I have seen in very long time. The best parts of this film must be experienced watching it from the opening titles to the end credits, and what a wild ride it is.

Rating: 7.6

Heart-breaking is how it feels, to truly absorb what it feels like to struggle to keep food on the table, a roof over your head and survive each day. Kim and Park as families illustrate the dichotomy between having too much money and not nearly enough to get by. However, the gems of polished script writing are in the dark humor that offers comic relief.

Each scene has a silent and subtle commentary through visuals of how the rich are above the poor while they keep those less fortunate out of sight and literally beneath them. In one aspect, this is shown by the Kim family living in a confined basement and the Parks high up on a hill in a gorgeously spacious home.

Characters that make you fight for them to overcome their challenges are built on being good people who deserve happiness or an escape from hard times, and this everyone in the Kim family. While they are not always following a strong moral compass, a real expression of love and support between one another draws the audience onto their team.

Money does not corrupt everyone; however, it can make life too easy for some, and therefore superficial in fulfillment. The Parks are emotionally absent, and oftentimes, physically distant. Although they have every material item and luxury, they could ever desire, their internal joy is non-existent.

It is so fascinating to watch how these two polar opposite groups are juxtaposed, interact and to what extent it makes you want them to switch places in order to understand the world. Bong Joon-Ho could make this film about any culture in any part of the world and it would resonate with the viewers, which shows his natural talent.

To avoid spoiling the best parts of Parasite, the takeaway I can share that the entire cast fills their role with effortless ease, and I enjoyed watching this great act of storytelling come to life.

Rating: 8.0

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“Courage is the first of human qualities because it is the quality that guarantees all the others.” – Winston Churchill

In a sea of death, there is a breath of life. Over a century ago, this film guides you through the devastation of demolished landscapes, seemingly countless casualties, and young men fighting for their countries.

There is no escape from sacrificing the lives of brave soldiers, as painful as it is to bear witness, especially when the camera takes you through the brutal reality of war. As a single shot style of shooting, Sam Mendes crafts an absolutely stunning pathway through nearly heart-stopping chaos, soft and gentle moments of sentiment and the stillness of profound sadness.

Corporal Blake and Schofield are excellent in the way they convey pure emotions and genuine reactions to the smoldering earth beneath their feet as they travel across enemy lines. All of the cast that shares the screen (although briefly), are absolutely magnificent in the fleeting scenes we have with them.

As a collective effort, every actor and crew member made 1917 into a metaphysical experience where I felt as if I was on the explosive battlefield, down in the trenches and in constant fear of what may be around the corner.

I find no fault in any part of this movie, big or small. To honor those who had the courage to stand in the face of danger, 1917 is a dedication to the real superheroes that made our world what it is today.

Rating: 8.2

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Life changes through the ages and like a spectator watching from the distance, you travel through the story of The Last Black Man in San Francisco.

Jimmie Fails is the lead with a soft and somber look on his face, showing his heart that is so attached to pride in his grandfather’s postbellum craftsmanship. While tirelessly working to keep the roof over his head, you see the metaphorical and literal toxic waste that pollutes the community. There is a gem, the house that stands as an immortal timepiece of heritage and beauty in a city that is so ramshackle.

Giving and creating through love carries the weightlessness of hope to fuel his dreams. That’s what Jimmie’s character does, and it outshines all the disparity of hateful words and actions around him.

Following the rhythm of the musical score alongside the sweeping path of the camera is the carefully calculated speed of this movie. The Last Black Man in San Francisco has a tempo that matches the pulse of what the viewer should feel: slow, when you need to slide certain things into focus, and rapidly in motion, when a pivotal moment is on the horizon.

It seems as though his friend Montgomery can see all of beauty in the world and chooses to dismiss what is ugly and emotionally draining. And his grandfather’s blindness may very well be an allegory for this, thus the pure kindness in his friendship with Jimmie.

Symbolically, the structure they refurbish together is in “Fillmore”, and they are filling it with more light and positivity.

Sometimes the curtains around the stage of a play fall away, and masterful acting takes place, pulls you in, and brings you into a temporary home that you need to live in. That is the artful magic of this film and I genuinely enjoyed it.

Rating: 7.7